{"id":309,"date":"2016-01-11T08:52:02","date_gmt":"2016-01-11T08:52:02","guid":{"rendered":"http:\/\/www.primolevicenter.org\/cplexhibitions\/?p=309"},"modified":"2017-02-28T06:55:21","modified_gmt":"2017-02-28T06:55:21","slug":"credit","status":"publish","type":"post","link":"http:\/\/www.primolevicenter.org\/cplexhibitions\/credit\/","title":{"rendered":"Credits"},"content":{"rendered":"[aesop_content color=”#000000″ background=”#ffffff” columns=”1″ position=”none” imgrepeat=”no-repeat” floaterposition=”left” floaterdirection=”up” revealfx=”off”]The online presentation has been created by\u00a0Centro Primo Levi, in partnership with the Renato Maestro Jewish Library and Archive in Venice and the Library of Congress.<\/p>\n

The project is part of\u00a0the Carnegie Hall festival\u00a0La Serenissima: Music and Arts from the Venetian Republic<\/a>\u00a0<\/em>\u00a0held in collaboration with NYU Casa Italiana Zerilli-Marim\u00f2, the Library of Congress and The Jewish Museum.<\/p>\n

It was made possible through the generous support of\u00a0the Italian Embassy and the Italian Cultural Institute in Washington D.C., Peter S. and Mary Kalikow, and the Cahnman Foundation with additional support from the David Berg Foundation.<\/p>\n[\/aesop_content]\n[aesop_parallax img=”http:\/\/www.primolevicenter.org\/cplexhibitions\/wp-content\/uploads\/2017\/01\/AdminGhetto.jpg” parallaxbg=”fixed” captionposition=”bottom-left” lightbox=”off” floater=”on” floaterposition=”left” floaterdirection=”none”]\n[aesop_content color=”#333333″ background=”#FFFFFF” columns=”1″ position=”none” imgrepeat=”no-repeat” floaterposition=”left” floaterdirection=”up” revealfx=”off”]Ambassador of Italy\u00a0Armando Varricchio
\nRenato Miracco,\u00a0<\/em><\/strong>Cultural Attach\u00e8,\u00a0Embassy of Italy Washington DC<\/p>\n

Carla Hayden, Librarian of Congress
\nRoberta Shaffer, Director, Law Library of Congress
\nNathan Dorn Curator of Rare Books, Law Library of Congress
\nDr. Ann Brener, Hebraic Collection, Library of Congress
\nDomenic Sergi, Library of Congress Digital Scan Center
\nAndrew Cook, Library of Congress Digital Scan Center
\nTynesha Hubbard, Library of Congress, Law Library
\nKevin Long, Library of Congress, Law Library<\/p>\n

Gadi Luzzatto. At the inception of this project Gadi Luzzatto was scientific director of the Renato Maestro Library and he is now director of the Center for Contemporary Jewish Documentation in Milan.<\/p>\n

Natalia Indrimi, Executive Director, Centro Primo Levi New York
\nAlessandro Cassin, Director of Publishing, Centro Primo Levi New York<\/p>\n

This presentation was conceived in connection with the Carnegie Hall festival dedicated to the music and culture of La Serenissima.
\nClive Gillinson, Executive and Artistic Director of Carnegie Hall
\nJason Bagdade, Associate Artistic Administrator, Carnegie Hall.<\/p>\n

We are grateful to Stefano Albertini, Director of NYU Casa Italiana Zerilli Marim\u00f2 and his wonderful team for their partnership on this and many other projects of Centro Primo Levi.<\/p>\n

Web\u00a0programming and design:\u00a0Puja Devi
\nImages and photographs: Renato Maestro Library and Archive, Library of Congress, Mayank Austen Soofi. All other sources are specified in the captions.<\/p>\n[\/aesop_content]\n[aesop_parallax img=”http:\/\/www.primolevicenter.org\/cplexhibitions\/wp-content\/uploads\/2017\/01\/drawinghouses.jpg” parallaxbg=”fixed” captionposition=”bottom-left” lightbox=”off” floater=”on” floaterposition=”left” floaterdirection=”none”]\n[aesop_content color=”#333333″ background=”#FFFFFF” columns=”1″ position=”none” imgrepeat=”no-repeat” floaterposition=”left” floaterdirection=”up” revealfx=”off”]\nMusic
\nQuia Amore Langueo<\/em>: Song of Songs 2:1-5, “Ani chavatzelet haSharon” (I am the Rose of Sharon)” by Profeti della Quinta Music by Elam Rotem, interpreted by Doreen Schlepper, Or\u00ec Harmelin<\/p>\n

Claudio Monteverdi, Pur Ti Miro<\/em>, for cello quartet, The 4cellists<\/p>\n

Arcangelo Corelli, La Follia<\/em><\/p>\n

Domenico Scarlatti, Sonata in A major (K.322\/L.483), Brayden Olson<\/p>\n

Tarquinio Merula, Canzon La Ferrara<\/em><\/p>\n

Derya T\u00fcrkan, A\u011f\u0131t<\/em> (U\u015f\u015f\u00e2k)<\/p>\n

Sylvius Leopold Weiss, Fantasia in c minor, Caravaggio<\/em>, Jose Miguel Moreno<\/p>\n

Tradizioni musicali degli ebrei italiani dalla Collezione Leo Levi (1954-1961)<\/em>, a cura di Francesco Spagnolo, \u201cAnthology of Musical Traditions in Israel\u201d 14, Roma-Gerusalemme, Accademia Nazionale di Santa Cecilia \u2013 The Hebrew University of Jerusalem, 2001<\/p>\n

Shofet kol ha-aretz, Aschkenasy; Chon tachon, Sephardi; Yigdal (Pesach), Ashkenazy<\/p>\n[\/aesop_content]\n\n[aesop_parallax height=”100%” img=”http:\/\/www.primolevicenter.org\/cplexhibitions\/wp-content\/uploads\/2017\/01\/HousesGhetto3.jpg” parallaxbg=”fixed” captionposition=”bottom-left” lightbox=”off” floater=”on” floaterposition=”left” floaterdirection=”none”]\n\n[aesop_content color=”#000000″ background=”#ffffff” columns=”1″ position=”none” imgrepeat=”no-repeat” floaterposition=”left” floaterdirection=”up” revealfx=”off”]Two recent publications have been a reference in the development of this exhibit:<\/p>\n

Chiara Camarda (ed.), The books of the Ghetto<\/i>. Catalog of the Hebrew books of Jewish Community of Venice<\/i> (secc. xvi-xx), (Il Prato, Padua 2016)<\/p>\n

Donatella Calabi (ed.),\u00a0Venice, the Jews, and Europe: 1516-2016<\/em>, Marsilio Editore, 2016<\/p>\n[\/aesop_content]\n[aesop_parallax img=”http:\/\/www.primolevicenter.org\/cplexhibitions\/wp-content\/uploads\/2017\/01\/Spartito.jpg” parallaxbg=”fixed” captionposition=”bottom-left” lightbox=”off” floater=”on” floaterposition=”left” floaterdirection=”none”]\n\n[aesop_content color=”#000000″ background=”#ffffff” columns=”1″ position=”none” imgrepeat=”no-repeat” floaterposition=”left” floaterdirection=”up” revealfx=”off”]That text that accompanies the presentation of books draws\u00a0on several publications:<\/p>\n

Marvin J. Heller, Further Studies in the Making of the Early Hebrew Book<\/em>, 2013<\/p>\n

Marvin J. Heller,\u00a0Unicums, Fragments, and Other Hebrew Book Rarities<\/em>, 2014<\/p>\n

Giuliano Tamani, Di alcuni stampatori in ebraico a Venezia nei secoli XVI-XVII-XVIII<\/em>, 2015<\/p>\n

Joseph R. Hacker (Editor), Adam Shear (Editor), The Hebrew Book in Early Modern Italy<\/em>, 2011<\/p>\n

Myron M. Weinstein, The First Deinard Collection of the Library of Congress<\/em>, 2006<\/p>\n

Ann Brener, Sixteenth-Century Hebrew Books at the Library of Congress, A Finding Aid<\/em>.<\/p>\n

Gerd Korman, Jews\u00a0as a\u00a0Changing People of the Talmud: An. American Exploration<\/em>, 2001<\/p>\n

Christian David Ginsburg, The Massoreth Ha-massoreth of Elias Levita<\/em>, 1867<\/p>\n

David Werner Amram, The Makers of Hebrew Books in Italy<\/em>, 1909<\/p>\n

Rav Alberto Mosheh Somekh,\u00a0Aspetti peculiari del minh\u00e0g italiano<\/em>, 2001<\/p>\n

Kenneth Collins, Jewish Medical Students and Graduates at the Universities of Padua and Leiden: 1617\u20131740<\/em>, 2013<\/p>\n

Alessandro Marzo Magno, Bound in Venice: The Serene Republic and the Dawn of the Book<\/em>, 2013<\/p>\n

Robert C. Davis (Editor), Benjamin Ravid (Editor), The Jews of Early Modern Venice<\/em>, 2001<\/p>\n

David B. Ruderman (Editor), Preachers of the Italian Ghetto<\/em>, 1992<\/p>\n

David Malkiel,\u00a0A separate republic : the mechanics and dynamics of Venetian Jewish self-government (1607-1624)<\/em>, 1991<\/p>\n

Giuseppe Veltri, Renaissance Philosophy in Jewish Garb: Foundations and Challenges in Judaism on the Eve of Modernity<\/em>, 2008<\/p>\n\n[\/aesop_content]\n[aesop_parallax img=”http:\/\/www.primolevicenter.org\/cplexhibitions\/wp-content\/uploads\/2017\/02\/a24.jpg” parallaxbg=”fixed” captionposition=”bottom-left” lightbox=”off” floater=”on” floaterposition=”left” floaterdirection=”none”]\n\n[aesop_content color=”#333333″ background=”#FFFFFF” columns=”1″ position=”none” imgrepeat=”no-repeat” floaterposition=”left” floaterdirection=”up” revealfx=”off”]The beautiful images taken at the Renato Maestro Library and Archive are by Mayank Austen Soofi and we are grateful to him for allowing us to use them. Mr. Austen Soofi is the author of Delhi-based photographic essays, that appear on his website The Delhi Walla. Every day, he walks around the city with his camera and notebook to track down the part of extraordinary that exists in the seemingly mundane aspects of urban lives. In 2016, Mayank documented the daily life in the Jewish ghetto of Venice. http:\/\/www.thedelhiwalla.com\/<\/p>\n[\/aesop_content]\n\n","protected":false},"excerpt":{"rendered":"

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